"The Crane" by Steven Kenny |
Uther and Merlinus gaze up at the long pine valleys that
float like islands among blue fields of glaciers. Moonglow draws mentholated
incense from the firs, and a warm breeze descends softly, carrying the busy
labor of bees and a tinkling and braying of distant sheep. The elk-king leads
them upward, and the sky pales to opal hues and soon streaks with raspberry
smudges and lemon rinds of dawn clouds.
By then, they have attained a height that affords a vista of
sprawling meadowlands and bluesmoke forests. Below, they behold the magnificent
unicorn grazing, light playing iridescently across its white coat.
Once again, giddy laughter chimes from out of the
brightening dusk, and Merlinus senses happy, unseen presences nearby that
somehow remind him, not of the Celts, but of the mythic Greek order of
centaurs, satyrs, and Titans who ranged before Zeus.
The wizard swings his staff about, and the giggling grows
louder. A motley gang of startled figures laughing appears around them, not
unlike the elk-king in form, only half-human—furry snouted, paw-limbed people
with mossy hair and eyes green as sea pools.
"These are the first people," the elk-king
announces. "They attend me when I visit here."
"Where is 'here'?" Uther inquires.
"Here is the frontier of the Greater World, King
Uther," the beast-lord answers. "Here, forms merge. In wild,
discordant, humorous, and maddening ways, they merge—and delight in the
merging. Here, forms fall away and souls stand alone, as radiant light awaiting
the spirit laws, to shape them into ever new forms."
"God's grace," Uther quietly murmurs, clearly awed
by the unnatural beauty of these Elysian fields. His body unconsciously sways
to the shrill, faint piping of the oldest music, a rhythm of wind and water—
"Look more closely," King Someone Knows the Truth
entreats. He points below to the luxuriant, fruitful valley, where foam of
laughter and song rise from a tumultuous forest. Barely visible through the
slanted apertures of the woods prance human shapes composed of no more than
luminous mist, an entire assemblage of them frolicking and cavorting like
fauns.
This mysterious spectacle inspires within the two human
witnesses the strange yet familiar sweetness of indecipherable magic—a feeling
of peace and loveliness that they recall dimly, from far back in their fetal
dreamings.
From The Dragon and the Unicorn
1 Comments:
Is this passage describing the Celtic underworld here a deceptive illusion? Because Cuchulain's dance of glory was brutally ironic, and the way his soul found ultimate comfort in the fetal position within the womb... there was something brutally horrific and existentially uncanny about this whole cycle.
The whole ultimate pagan sacrifice of a King for his people symbolism, and the conversion from Celtic paganism to Christianity? Beautifully done, man, if I actually caught what you did there.
I mean, you write some cool descriptive prose, man, but the big picture weaving of your narrative is out of this world. Awesome! Enlightening ;)
I hope you can give some cool insight here, man.
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