Location,
location, location. That’s
the famous adage for success in real estate. And it applies, as well, to
captivating fiction. Whether it’s Faulkner’s Yoknapatawpha County , Tolkien’s Middle-earth, or
Herbert’s Arrakis, location plays as decisive a role as character and plot.
Intrigued
by the creative challenge of establishing a fictional location that plausibly could unite science and magic, I set my dark fantasy series The
Dominions of Irth in the most extreme exotic locale available: the first
moments after the Big Bang.
Geometrodynamics,
the quantum mechanical description of spacetime, suggest that both space and time meant something very
different in the first moments after the creation of the universe than what we know. The Dominions of Irth imagines a
self-consistent reality with its own worlds and entire histories of evolution
and conscious existence within the initial second, called the Planck Epoch.
The beings
of this original and inconceivably hotter reality would seem possessed of true
magic to our colder sensibility in the dark void beyond their radiance. Our
stellar universe, including our planet Earth, is the Dark Shore – a barely surmised realm embedded
in the mysterious depths of their unconscious.
All the many Bright Worlds appear in the aura of
the Big Bang as a diaphanous dream to the energetic denizens at the beginning
of time. The dreamer of these worlds imagines them into being. She conceives
Irth as a playground for her unborn child. The creatures of Irth and the other
Bright Worlds who dwell under the radiance of the Abiding Star (the Big Bang)
have no idea they are but a dream – except for one gnome. He has been summoned
by the dreamer to account for a strange intruder who has ascended into the
Bright Worlds out of the abyss, from a world of dangerous magic called Earth:
"Yours is a soul of magic, lady,
and what you have poured forth has broken the dark and authored the wonders of
the void that are the Bright Worlds. And yet—" The gnome sat up and showed
worry upon his acorn brown face. "One of darkness has climbed into the
light."
"Whence?" she asked, with
casual disdain masking her worry. "Out of darkness? Are there worlds then
in the outer darkness?"
The gnome nodded vigorously. "Oh
yes, lady. But not worlds as we know them. Not the worlds that are the condensation
of your magic, a radiant magic that prefigures for all time in the void the
orders and histories of the Bright Worlds. No. The one who has climbed out of
darkness and into your light has arisen from shadow worlds in the cold deeps of
the void."
She draped a languorous arm over the
edge of the pool, weary with concern for her child. "What are these shadow
worlds, gnome?"
"Just that, lady." The gnome
wagged his rooty fingers emptily in the air. "Shadows cast into the void
by the Bright Worlds that you have created and that move within your dazzling
light. Shadows cast into the void. No more than that."
"And you are telling me that a
shadow has climbed into my light?" She did not look at him but lifted her
attention to parcels of purple cloud overhead. "A thing without substance thrives within my
radiance?"
"There is a magic of shadows by
which this is so."
From The
Shadow Eater
This
– and any of my ebooks – are available for free to anyone willing to write and
post a sincere review on Goodreads or Amazon. Send your request and preferred
format (.pdf, .epub, .rtf, .doc) to aaa@lava.net.
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